By Antony Gormley,Mark Holborn
Antony Gormley occupies an strange place as a hugely populist sculptor recognized mainly for his Angel of the North (1998), a countrywide landmark within the united kingdom who's additionally extensively considered as the most intellectually tough artists operating the world over. he's grounded in archaeology and anthropology, and appears to Asian and Buddhist traditions up to to Western sculptural heritage, which he believes reached a punctuation aspect with Rodin. this is often the 1st publication to target Gormley's strategies on sculpture, positioning his occupation and creative philosophy with regards to its background.
The booklet is dependent thematically over 4 chapters: the 1st explores Gormley's strategies at the physique, time and area when it comes to significant works together with eu box (1993) and 'Still status' (2011), Gormley's rehang of the classical rooms on the Hermitage Museum in St Petersburg. the second one bankruptcy, 'Sculptors', used to be first introduced as a chain of 5 lectures for the BBC; in every one, Gormley discusses a sculpture he considers to be of big artistic significance: Epstein's The Rock Drill (191315), Brancusi's The never-ending Column (193538), Giacometti's los angeles position (194849), Joseph Beuys's Plight (1985) and Richard Serra's the problem of Time (2005). within the 3rd bankruptcy, Gormley outlines the impression of Buddhist and Jain sculpture on his paintings and concepts, and the fourth showcases the artist's newest sculptures.
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Antony Gormley on Sculpture by Antony Gormley,Mark Holborn