By Lee Bernstein
Lee Bernstein explores the forces that sparked a dramatic "prison artwork renaissance," laying off mild on how incarcerated humans produced strong works of writing, functionality, and visible paintings. those integrated every little thing from George Jackson's innovative Soledad Brother to Miguel Pinero's acclaimed off-Broadway play and Hollywood movie Short Eyes. a rare variety of felony programs--fine arts, theater, secondary schooling, and prisoner-run programs--allowed the voices of prisoners to steer the Black Arts move, the Nuyorican writers, "New Journalism," and political theater, one of the most crucial aesthetic contributions of the last decade.
By the Eighties and '90s, prisoners' academic and inventive courses have been scaled again or eradicated because the "war on crime" escalated. yet by means of then those prisoners' phrases had crossed over the wall, assisting many americans to reconsider the that means of the partitions themselves and, eventually, the which means of the society that produced them.
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America Is the Prison: Arts and Politics in Prison in the 1970s by Lee Bernstein