By Christopher Hodkinson
By the early 19th century, Britain had turn into a treasure condo of artwork. yet a lot of those work weren't, as their proprietors believed, by way of the good artists of the Italian Renaissance - a few have been copies, a few have been outright forgeries, and lots of extra have been wrongly attributed.
Because artwork scholarship used to be in its relative infancy, questions of attribution, authenticity, and caliber have been not often requested and, in the event that they have been, will be not likely to obtain an authoritative solution.
The degree was once set for the emergence artwork connoisseurs with the information, software, and abilities to start answering those questions.
Christopher Hodkinson is a free-lance author. He holds a doctorate from Lancaster collage the place he's additionally a instruct in Italian culture.
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A Question of Attribution: Art connoisseurship in the nineteenth century by Christopher Hodkinson